{"id":24905,"date":"2025-02-20T09:16:34","date_gmt":"2025-02-20T08:16:34","guid":{"rendered":"https:\/\/mario-amura.com\/?p=24905"},"modified":"2025-02-20T11:03:53","modified_gmt":"2025-02-20T10:03:53","slug":"il-sole-24-ore-settis-mario-amura-immortala-napoli-di-fine-danno","status":"publish","type":"post","link":"https:\/\/mario-amura.com\/en\/il-sole-24-ore-settis-mario-amura-immortala-napoli-di-fine-danno\/","title":{"rendered":"<span style=\"color: red;font-size: 0.6em;\">Il Sole 24 Ore<\/span><br \/> Settis: Mario Amura immortala Napoli di Fine D&#8217;Anno"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"24905\" class=\"elementor elementor-24905\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4f8c6139 elementor-section-boxed elementor-section-height-default elementor-section-height-default sc_fly_static\" data-id=\"4f8c6139\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-extended\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-33b871a8 sc_content_align_inherit sc_layouts_column_icons_position_left sc_fly_static\" data-id=\"33b871a8\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-223188d2 sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"223188d2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h6>by Salvatore Settis <span style=\"opacity: 0;\">Napoli Explosion<\/span><\/h6>\n<p>It took the convergence of an unparalleled location (<a href=\"https:\/\/capodimonte.cultura.gov.it\/\">Capodimonte<\/a>), a director at the end of his tenure (<a href=\"https:\/\/it.wikipedia.org\/wiki\/Sylvain_Bellenger\">Sylvain Bellenger<\/a>), and the multi-year project of a true Neapolitan (<a href=\"https:\/\/napex.art\/the-artist\/\">Mario Amura<\/a>) per lanciare \u00abNapoli Explosion\u00bb, una mostra dove fotografia, pittura e reportage si sommano e si confondono. Sul limitare del Real Bosco e in vista della reggia-museo, nel severo &#8220;cellaio&#8221;, dove in et\u00e0 borbonica si tenevano vini e cibarie, si allineano in fantasmagoria di colori quaranta grandi stampe fotografiche (fino a circa cinque metri per due). Par di vedervi ora uno stagno di ninfee, ora un fondo marino popolato di meduse, un prato cosparso di fiori, le costellazioni di un cielo esotico, le luci affollate di una metropoli lontana, il balenare dei fari di un fiume di macchine sull&#8217;autostrada. Qualche volta, in quella festa di luminescenze, troneggia lontano il Vesuvio. Da tredici anni Mario Amura, con un piccolo corteo di amici armati di macchine fotografiche, la notte di Capodanno sale sul monte Faito (difronte al Vesuvio, sulla baia di Napoli), e aspetta la mezzanotte, quando i fuochi d&#8217;artificio esplodono nelle case l\u00ec in basso. Muovendo liberamente gli obiettivi, ognuno scatta decine o centinaia di fotografie, riprese arbitrarie di un altrettanto capriccioso tripudio pirotecnico. Da questo impensato inventario di esplosioni e di bagliori nascono migliaia di foto, o ipotesi pittoriche, in un ventaglio che include il pi\u00f9 spinto astrattismo e l&#8217;irruzione in un immaginario figurativo dove tutte le forme suggeriscono qualcos&#8217;altro da s\u00e9. Tutte salvo una: il Vesuvio. Amura ha davvero qualcosa da raccontare. La sua \u00e8 la registrazione fotografica di una festosa coralit\u00e0 a cadenza calendariale: le migliaia di persone che affidano ai fuochi un sussulto di emozione contribuiscono, senza saperlo, a un&#8217;opera di pittura fotografica. Il senso ultimo di questo rituale collettivo ne risulta capovolto: non appare tanto come lo scatenarsi di un cieco festeggiare, quanto come una sorta di potente esorcismo. Napoli risponde alla perpetua minaccia del Vesuvio mettendosi in gara con esso, dispiegandogli davanti una sorta di eruzione effimera, che solo la fotografia (appunto) pu\u00f2 fissare nel ricordo. Perci\u00f2 \u00abNapoli Explosion\u00bb \u00e8 un&#8217;opera autobiografica, un inno di Napoli a s\u00e9 stessa. E al Vesuvio. Ecco dunque la &#8220;notizia&#8221; che emerge da questa atipica cronaca di una notte, dalla molteplicit\u00e0 e concatenazione degli scatti di \u00abNapoli Explosion\u00bb: il popolo napoletano inscena di anno in anno una propria eruzione e la esibisce all&#8217;incombente vulcano, come omaggio o come sfida. Che \u00e8 anche una sfida al tempo: muovendo i dispositivi come reti per farfalle, chi fotografa cattura le luci lontane; cambiando i tempi dell&#8217;esposizione, fissa e distilla il percorso dei fuochi nell&#8217;aria. La triangolazione fra il coro pirotecnico dei napoletani, il Vesuvio destinatario del tributo e Amura coi suoi compagni di avventura innesca il momento fortemente autoriale dove l&#8217;intuizione e il lavoro del &#8220;regista&#8221; mette a punto la sua antologia di storie e immagini suggestive. <strong>THE SHOTS TAKEN ON NEW YEAR'S EVE ARE HALFWAY BETWEEN ABSTRACT ART AND NEW FIGURATIVISM<\/strong> The outcome we see (unintentional?) sits at the crossroads between abstract art and new figurativism. But even the most abstract images, born from the close dialogue of the photographic lenses with the anonymous crowd unleashing the fireworks, carry a strong narrative content, indeed two: an apparent narrative, for what the images seem to evoke (sunsets, children's games, seabeds), and the real narrative of New Year's nights in Naples. The hyperbolic coexistence between people and Vesuvius brings to light the city's imaginary. The powerful figurations of \"Napoli Explosion\" absorb the likeness to the real of photography, and by incorporating it into the artist's conceptual and technical work, they return it as a vision, a ritualized hallucination. As an aspect of reality, but also as a lasting ritual, a promise of perseverance.<span style=\"opacity: 0;\">Mario Amura Napoli Explosion<\/span><span style=\"opacity: 0;\">https:\/\/napex.art\/<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-611423b sc_height_tiny sc_fly_static elementor-widget elementor-widget-spacer\" data-id=\"611423b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b693350 sc_fly_static elementor-widget elementor-widget-heading\" data-id=\"b693350\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Il Sole 24 Ore Sunday 17 March 2024 - N.76<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a4e2777 elementor-section-boxed elementor-section-height-default elementor-section-height-default sc_fly_static\" data-id=\"a4e2777\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-extended\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-51aad75 sc_content_align_inherit sc_layouts_column_icons_position_left sc_fly_static\" data-id=\"51aad75\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e0c2390 sc_fly_static elementor-widget elementor-widget-spacer\" data-id=\"e0c2390\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1fe94e9 sc_fly_static elementor-widget elementor-widget-image\" data-id=\"1fe94e9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1920\" height=\"874\" src=\"https:\/\/mario-amura.com\/wp-content\/uploads\/2025\/02\/Settis_Amura_Napoli_Explosion_-24_1920x874-1.jpg\" class=\"attachment-2048x2048 size-2048x2048 wp-image-24608\" alt=\"Salvatore Settis, Maria Michela Sassi e Mario Amura\" srcset=\"https:\/\/mario-amura.com\/wp-content\/uploads\/2025\/02\/Settis_Amura_Napoli_Explosion_-24_1920x874-1.jpg 1920w, https:\/\/mario-amura.com\/wp-content\/uploads\/2025\/02\/Settis_Amura_Napoli_Explosion_-24_1920x874-1-300x137.jpg 300w, https:\/\/mario-amura.com\/wp-content\/uploads\/2025\/02\/Settis_Amura_Napoli_Explosion_-24_1920x874-1-1024x466.jpg 1024w, https:\/\/mario-amura.com\/wp-content\/uploads\/2025\/02\/Settis_Amura_Napoli_Explosion_-24_1920x874-1-768x350.jpg 768w, https:\/\/mario-amura.com\/wp-content\/uploads\/2025\/02\/Settis_Amura_Napoli_Explosion_-24_1920x874-1-1536x699.jpg 1536w, https:\/\/mario-amura.com\/wp-content\/uploads\/2025\/02\/Settis_Amura_Napoli_Explosion_-24_1920x874-1-370x168.jpg 370w, https:\/\/mario-amura.com\/wp-content\/uploads\/2025\/02\/Settis_Amura_Napoli_Explosion_-24_1920x874-1-840x382.jpg 840w, https:\/\/mario-amura.com\/wp-content\/uploads\/2025\/02\/Settis_Amura_Napoli_Explosion_-24_1920x874-1-410x187.jpg 410w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-309222d sc_height_tiny sc_fly_static elementor-widget elementor-widget-spacer\" data-id=\"309222d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bc5c969 elementor-widget__width-initial sc_fly_static elementor-widget elementor-widget-heading\" data-id=\"bc5c969\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">Salvatore Settis, Maria Michela Sassi e Mario Amura<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Il Sole 24 Ore<br \/>\nCi voleva la convergenza di una location impareggiabile (Capodimonte), di un direttore alla fine del suo mandato (Sylvain Bellenger) e del progetto pluriennale di un napoletano doc (Mario Amura) per lanciare \u00abNapoli Explosion\u00bb, una mostra dove fotografia, pittura e reportage si sommano e si confondono. Sul limitare del Real Bosco e in vista della reggia-museo, nel severo &#8220;cellaio&#8221;, dove in et\u00e0 borbonica si tenevano vini e cibarie, si allineano in fantasmagoria di colori quaranta grandi stampe fotografiche (fino a circa cinque metri per due).<\/p>","protected":false},"author":1,"featured_media":24607,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210],"tags":[],"class_list":["post-24905","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-napoli-explosion"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Il Sole 24 Ore Settis: Mario Amura immortala Napoli di Fine D&#039;Anno<\/title>\n<meta name=\"description\" content=\"Ci voleva la convergenza di una location impareggiabile (Capodimonte), di un direttore alla fine del suo mandato (Sylvain 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